Following the death of his father, Thomas Walsh had to grow up quickly, taking on odd-jobs to keep food on the table and help pay his gravely ill mother's medical bills. When he's offered a highly paid position as an interpreter for an heiress who exclusively signs, Thomas -- the hearing child of a Deaf adult -- jumps at the opportunity.
But the job is not without its challenges. Thomas is expected to accompany Vivienne wherever she goes, but from the start, she seems determined to shake him. To make matters worse, her parents keep her on an extremely short leash. She is not to go anywhere without express permission. She is not to deviate from her routine.
She is, most importantly, not to be out after dark.
A selective-mute, Vivienne Farrow hasn't said a word in years -- not since going missing in Red Rock Canyon when she was four years old. No one knows quite what happened to her out in the dark. They only know that the sound of her voice is now as deadly as a poison. Anyone who hears her speak suffers a horrible death.
Ever since that fatal family vacation, Vivienne has been desperately searching for a way to regain control of both her voice and her body. Because the face staring out of the mirror isn't hers. It's something with teeth.
Thankfully, Vivienne has a plan. She's finally found someone who claims to be able to perform a surgical exorcism. She just needs to find a way to get rid of Thomas first. But Thomas can't afford to walk away, nor is he willing to abandon the mysterious girl he's quickly falling for, no matter what dark powers threaten to swallow them both whole.
When Works Progress Administration (WPA) editor Millie Lang finds herself on the wrong end of a potential political scandal, she’s shipped off to Montana to work on the state’s American Guide Series—travel books intended to put the nation’s destitute writers to work.
Millie arrives to an eclectic staff claiming their missed deadlines are due to sabotage, possibly from the state’s powerful Copper Kings who don’t want their long and bloody history with union organizers aired for the rest of the country to read. But Millie begins to suspect that the answer might instead lie with the town’s mysterious librarian, Alice Monroe.
More than a decade earlier, Alice Monroe created the Boxcar Library in order to deliver books to isolated mining towns where men longed for entertainment and connection. Alice thought she found the perfect librarian to staff the train car in Colette Durand, a miner’s daughter with a shotgun and too many secrets behind her eyes.
Now, no one in Missoula will tell Millie why both Alice and Colette went out on the inaugural journey of the Boxcar Library, but only Alice returned.
The three women’s stories dramatically converge in the search to uncover what someone is so desperately trying to what happened to Colette Durand.
Inspired by the fascinating, true history of Missoula’s Boxcar Library, the novel blends the story of the strong, courageous women who survived and thrived in the rough and rowdy West with that of the power of standing together to fight for workers’ lives. And through it all shines the capacity of books to provide connection and light to those who need it most.
Two men.
One million dollars.
All I have to do is tame Nash Wilde.
It’s been two years since my sister and her boyfriend were killed in a plane crash. The last person I expected to show up on my doorstep was his father, Alistair Wilde. Yet, he came with an offer I’d be an idiot to pass be his son’s girlfriend for three months, live with the two of them in a remote house, and the one million dollars is mine.
The challenge turns out to be harder than I expected. Nash is not just wild, he’s dangerous. And Alistair is far more broken than he lets the world believe. The three of us are bound by grief. It’s up to me to feed Nash’s hunger and heal Alistair’s pain.
Lines are crossed.
Rules are broken.
On the island, there’s no one to tell us this is wrong.
I know I have to choose before I tear this family apart.
But I belong to both of them—
One of them has my body.
The other has my heart.
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